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 Today we would continue in talking abour RHCP.
George Clinton was selected to produce the next Red Hot Chili Peppers album, Freaky Styley. Clinton successfully fused various elements of punk and funk into the band's repertoire, allowing the Chili Peppers to be musically diverse and varied, meeting their fruition. Compared to Andy Gill, Clinton was not only undemanding to work with, but believed in the band from the moment production began. Released on August 16, 1985, Freaky Styley, as its predecessor, saw little to no commercial viability. It failed to mark any impression on any chart, whatsoever, and the resulting tour was unproductive and financially futile.
Cliff Martinez departed from the group in the summer of 1986, and the band temporarily hired Chuck Biscuits to finish the tour. Jack Irons, out of work and finally separated from another commitment, rejoined the group, shocking Anthony, Flea, and Hillel. The band chose Michael Beinhorn to produce their next album. Songs began to form quickly, and the album's shape came within sight; it would blend the same funk rhythm and feel as Freaky Styley had, but also take a harder more immediate approach to punk rock and funk metal. Having all four original members allowed for creativity to flow, and flourish.
On September 29, 1987 The Uplift Mofo Party Plan was released. It was the first Red Hot Chili Peppers' album which managed to influence the charts; although it only peaked on the Billboard Hot 200 at #148, this was a significant success compared to their two preceding albums.
Meanwhile, Kiedis and Slovak had both developed serious drug addictions, often leaving the band, each other, and their significant others for days on end. Hillel's addiction led to his death on June 25, 1988, not long after the conclusion of the Uplift tour. Kiedis fled the city and did not attend Slovak's funeral, considering the situation to be surreal and dreamlike. Jack Irons called a band-meeting, where he announced he was leaving the band: "This is not where I want to be. I do not want to be part of something where my fucking friends are dying".
 In an attempt to cope with the death of their life-long friend Slovak and the departure of Irons, Anthony and Flea momentarily employed Dead Kennedys drummer D. H. Peligro and former P-Funk guitarist DeWayne "Blackbyrd" McKnight. Neither sparked any notable chemistry and they were each replaced rapidly. John Frusciante surfaced, as an acquaintance of Peligro's. He was fascinated with the Red Hot Chili Peppers and particularly interested in trying out; he had been an avid enthusiast for years. Following a constructive jam, there was a unanimous decision that John would be accepted into the band.
Three weeks prior to the beginning of record production, the band was still in dire need of a drummer. Numerous disastrous auditions gave the three Chili Peppers doubts, but, eventually, they received a call from a close friend. She informed them of a someone she knew, Chad Smith, who was so proficient on the drums he "ate [them] for breakfast". Anthony had various qualms about allowing Smith to try out; however, it was agreed to give the drummer a chance. Chad overwhelmed the band, by not only matching Flea's intricate and complex rhythm, but began to lead him. The successful jam session allowed Anthony, John and Flea to admit Chad into the band, untroubled.
When it came time to record, though, the foursome began butting heads with producer Michael Beinhorn. His foremost agenda was to transform Frusciante's guitar playing into a loud, overpowering sound, similar to the abrasive tones utilized in heavy metal. It caused Frusciante great discomfort, as it contradicted his desired guitar playing. Beinhorn was assertive and manipulative, thus, changing the sound of what their next album may have been.
The consequent album, Mother's Milk was released in August of 1989, and gave the Chili Peppers their first top modern rock hits with their tribute ballad to Slovak, "Knock Me Down", and their cover of Stevie Wonder's "Higher Ground". The album reached #52 on the American album charts and became the bands first gold record.
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